There are basically two ways you can compose a piece of music.
The first and most traditional way is to write out the melody and then harmonize it. Some call this working from the top (as opposed to the chords on the bottom.) The second approach is where you create some kind of rhythmic harmonic pattern and improvise (or compose) the melody on top. Now, which one is best for New Age music?
Whenever I go to a Borders bookstore here in San Diego, I make it a point to look at the art instruction books. I’m not a visual artist, but I’ve always enjoyed the step-by-step approach authors of the better books take to teach students how to create a finished painting.
Mistake #1 – Thinking about what
you’re going to play
A lot of students think there should be some kind of preparation before improvising on the piano. They are right! There should be some thought as to the sound, tonality, key – but once these choices are made the thinking should stop and the playing should begin.
Here’s the method I use every time I want to capture an idea. I draw out 8-bars (or measures) first. Why 8 bars? Because it is an ideal framework to work in. Eight bars of music are enough to generate a complete musical sentence and can usually be repeated once or twice. Next, I improvise and see what comes up. THEN I will write down the chords I am playing and the first 2-bars of melody.
Learning how to improvise is confusing for most. The sheer number of choices becomes a burden. Should I play this note? What chord next? Where do I go from here? All valid questions newbies (and oldbies) at improvisation sometimes ask themselves.